![]() Much of what I did live was theatre, I wanted to be some nihilistic and tortured artist, it’s all ego.” Yet now, with his 2021 release Course In Fable, produced by music legend and Walker’s personal hero, John McEntire, Walker has entered his most focused, confident and joyous stage of his career. ![]() I’ve been lucky travelling and playing but the drugs and alcohol came first all too often. I feel like that was a definite costume, it was all marketing and branding,” and later admitting “a lot of the songs are muddied by self-sabotage. I try not to get bogged down in the grandiose mathematics of it, I do it because it’s fun and the band are all phenomenal improvisersįun hasn’t always been the central focus though, as Walker laments about the previous endeavours and battles that sully his memories of the early stages of his music. This innate sense of fun is very central to the Ryley Walker live experience, citing that the whole purpose of his music is “to show gratitude for humanity, entertain the clientele and provide a break from manual labour.” I try not to get bogged down in the grandiose mathematics of it, I do it because it’s fun and the band are all phenomenal improvisers.” ![]() It was never a calculated choice to make us a jam band, it just felt intrinsic, we just kept riding the wave. I was jamming. Starting off in dank, disgusting basements, it was all about the crowd and being entertaining. “I’m not musically trained at all, when I started, it wasn’t called improvising. Heavily steeped in sprawling, meandering periods of improvisation, Walker surrounds himself with outrageously talented musicians who radiate spontaneity, constantly spiralling off into undiscovered territory. This elusiveness is only exacerbated by the colossal transformation that begins when transposing his studio recordings into a live setting. What can you expect from a Ryley Walker live performance? As he approaches almost a decade of writing and performing his own unique blend of folk, jazz and prog rock, the ever-evolving stylings of Walker are difficult to encompass in a single genre or phrase.
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